Archive for New Weird

Reading list and schedule for my graduate class on Weird and New Weird Fiction

Posted in Teaching, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on 27 July 2020 by Ben

In case anyone is interested, here is the mostly finalized reading list and schedule for ENGL 5529-002, on Weird and New Weird Fiction, which starts up in a few weeks. Some small things might change, but this is the gist of it.

I chose not to do a chronological survey. Rather, I have organized the readings around methods, genre, and themes (for lack of a better word). The primary texts are very roughly chronologically organized, but in some cases I thought the approach I ended up with made for a better overall flow to a course that caters to young scholars with their own research plans. This organization, I think, will also make for some more interesting comparisons across historical moments in the development of the weird than would a strictly chronological approach.

I deeply regret leaving certain things off the syllabus, especially Anna Kavan’s Ice (which is not generally considered a weird book, even if it is weird) and Steph Swainston’s The Year of Our War, which did not really fit into the course as well as I would have liked and I left off to make room for Yamashita and some of the other stuff towards the end. Even if some of this stuff is not, strictly speaking, weird, it nonetheless will provide a larger context for weird fiction through its international scope. Or so I hope.

Thanks to my Twitter crew for advice on some grad-course-related issues.

ENGL 5529-002 Preliminary Reading List and Schedule

My bibliography/works cited for None of this is normal: The Fiction of Jeff VanderMeer

Posted in None of this is normal, Writing with tags , , , , , , on 22 July 2020 by Ben

I know everyone likes endnotes, but if you have ever wanted my list of works cited for None of this is normal all in one place, well this is for you.

PDF here. HTML below the fold.

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ICFA 2020 paper, on Mat Johnson’s Pym

Posted in Conferences, Uncategorized, Writing with tags , , , , , , , , , on 20 November 2019 by Ben

Here is my paper proposal, now accepted, for ICFA 41, in March 2020. It’s for the horror division, which is new for me even though I work on horror. I usually propose to the fantasy division, but this paper didn’t really fit there in my opinion.

I do have another proposal in to the fantasy division, for a theory roundtable, but I will wait to hear on that before saying any more.


“Infrastructures of Horror: Race, Neoliberalism, American Literature, and the Anthropocene in Mat Johnson’s Pym

In The Marvelous Clouds, John Durham Peters tells us that “Ontology is usually just forgotten infrastructure.” In other words, what we often take for natural structures or systems are in fact constructions we no longer see or understand as constructions. Humans, who exist at scales that render such infrastructure invisible to us, operate therefore under conditions they cannot always, or perhaps ever, discern or comprehend. In Pym, Mat Johnson investigates the naturalized structure of American literary history by way of a narrative about neoliberalism, catastrophic climate change and related disasters, and the position of the racialized subject within such systems. Specifically, Johnson provides a revision and sequel to Edgar Allan Poe’s The Narrative of Arthur Gordon Pym of Nantucket, which Johnson’s narrator, Chris Jaynes, describes as “A book that at points makes no sense, gets wrong both history and science, and yet stumbles into an emotional truth greater than both.” As he investigates the history of Poe’s Pym, Jaynes navigates the power of neoliberal economics (which asks him to become a brand for personal gain), a world increasingly defined by disaster (some real, some imagined), the iniquities of American literary history, and the ongoing power of whiteness (which binds all of these other structures together materially and conceptually).

This paper discusses Johnson’s Pym as an instance of the new weird, but one especially attuned to the problematic legacy of weird fiction. For HP Lovecraft, Poe served as a major antecedent to the weird fiction of the haute weird period, roughly 1880 – 1940 in ST Joshi’s account. As such, Poe—whose racism anticipates and informs Lovecraft’s—serves as a forgotten infrastructure, as an apparent “ontological” ground for both American literature and a certain variety of horror fiction. In the present, novelists such as Mat Johnson and characters such as Chris Jaynes operate “in the wake” (to borrow Christina Sharpe’s term) and under the power of structures that determine their lives and the potential meanings of these lives despite the invisibility of these structures. As Johnson makes clear, they are not invisible because they are too small but rather because they are too big, because they are self-identical with the world itself in its present configuration. For Jaynes, in Pym, the first step in addressing this problem is to render the invisible visible. However, as this paper makes clear, such a project may always be doomed to failure insofar as the tools available to us (prose fiction, critical thought) are part and parcel of the very structures that remain hidden from us.

None of this is normal is going to be a real live book

Posted in None of this is normal, Writing with tags , , , , , , , , on 3 May 2018 by Ben

There is a page for it at the University of Minnesota website and everything.

See also the U of Minnesota P Fall 2018 catalog (PDF link) where it takes pride of place behind Brian Massumi, Allen Ginsberg, Werner Herzog, and a local Minnesota novel.

And, of course, you can pre-order it from Amazon and other fine and not-so-fine booksellers: B&N, BAM, IndieBound.

On Dradin, in Love; or, VanderMeer ephemera

Posted in None of this is normal, Writing with tags , , , , , , , , , , on 13 July 2017 by Ben

Part of the reason I wanted to write about Jeff VanderMeer is Dradin, in Love, the 1996 novella that became the first section of “The Book of Ambergris” in City of Saints and Madmen. It is a very strange story insofar as it is set in a secondary world but includes few of the trappings of fantasy. I am currently trying to wrap up my chapter on the Ambergris novels and was committed to shoe-horning my thoughts on Dradin in there somewhere. Overall, the chapter discusses how the Ambergris books take up both postmodernist poetics and the secondary world-building of fantasy. These two things do not exist with one another easily, as the skepticism endemic to postmodernist fiction tends to destroy the naive worlds found in fantasy. However, I argue that Ambergris is a world, a materiality, entirely made up of its textuality. Whereas in fictions such as House of Leaves, textuality becomes an abyss without a bottom into which characters and events might fall, in City of Saints and Madmen this textuality is the bottom, the condition. You will have to read the book to get more about that.

That all said, I am so focused in the chapter on Duncan Shriek that maintaining the discussion of Dradin became untenable. As such, I have cut it and provide it here, for your consideration and amusement. Enjoy. Or not. (BTW, the last line of this refers to the title of this subsection of the chapter, “This is Ambergris,” which is a line from “The Strange Case of X,” the fourth section of City of Saints and Madmen.)

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